Apr

28

2024
Luis Leal An AutoBiography
Free Download Luis Leal: An Auto/Biography By Mario T. García
2000 | 240 Pages | ISBN: 029272828X | PDF | 16 MB
Professor Luis Leal is one of the most outstanding scholars of Mexican, Latin American, and Chicano literatures and the dean of Mexican American intellectuals in the United States. He was one of the first senior scholars to recognise the viability and importance of Chicano literature, and, through his perceptive literary criticism, helped to legitimise it as a worthy field of study. His contributions to humanistic learning have brought him many honours, including Mexico's Aquila Azteca and the United States' National Humanities Medal. In this testimonio, or oral history, Luis Leal reflects upon his early life in Mexico, his intellectual formation at Northwestern University and the University of Chicago, and his work and publications as a scholar at the University of Illinois and the University of California, Santa Barbara. Through insightful questions, Mario Garcia draws out the connections between literature and history that have been a primary focus of Leal's work. He also elicits Leal's assessment of many of the prominent writers he has known and studied, including Mariano Azuela, William Faulkner, Octavio Paz, Carlos Fuentes, Juan Rulfo, Gabriel Garcia Marquez, Jorge Luis Borges, Tomas Rivera, Rolando Hinojosa, Rudolfo Anaya, Elena Poniatowska, Sandra Cisneros, Richard Rodriguez, and Ana Castillo. Mario T. Garcia is Professor of History and Chicano Studies at the University of California, Santa Barbara.

Ludwig von Mises on money and inflation  a synthesis of several lectures
Free Download Ludwig von Mises on money and inflation : a synthesis of several lectures By Greaves, Bettina Bien
2010 | 85 Pages | ISBN: 1933550759 | EPUB | 1 MB
In the 1960s, Ludwig von Mises lectured often on money and inflation. Bettina Bien Greaves was there taking shorthand. She has been working to transcribe them for a very long time. At last the results are here and they are fantastic. To have this work is like having Mises as your private tutor, telling you about money and inflation in a casual setting and in plain language. He is the prophet of the 20th century on these topics, and here he presents his entire apparatus. True, this book is not technically by Mises. It is not something he signed off on. But they are his lectures, and they provide a glimpse into the workings of an incredible mind on a topic that is crucial to our future. Ms. Greaves explains: Upon the establishment of the Foundation for Economic Education (FEE) in 1946, Ludwig von Mises became a part-time adviser, and he served in that capacity until his death in 1973. Whenever FEE held a seminar in Irvington, if he was in town he would drive out from New York City, where he lived with his wife, Margit, to speak to the participants. His topic was quite often inflation. I attended all those lectures, took them down in shorthand and later transcribed them. The thought occurred to me that eight to ten of his lectures on inflation, delivered in the 1960s, might be integrated, with the duplications deleted, and turned into a single piece. Hence this paper. Mises did not like to have his oral remarks quoted or published because, obviously, they did not represent the care and precision he devoted to his writings. However, it does not seem to me that these lectures, as I have edited them, misrepresent his ideas in any way. Moreover, they reveal his unpretentious manner and the informal simple style he used when talking to students. He often rephrased an idea in several different ways, repeating it for emphasis. He was frequently accused of being "simplistic," of making economic subjects appear too clear and simple, but it was this very

Lucky Kunst The Rise and Fall of Young British Art
Free Download Gregor Muir, "Lucky Kunst: The Rise and Fall of Young British Art"
English | 2009 | ISBN: 1845133900 | EPUB | pages: 256 | 0.7 mb
These days artists like Damien Hirst and Tracy Emin are big business and major celebrities. But Gregor Muir knew them at the start of their careers - before people even talked about a movement called YBA. His unique memoir is the first history of the birth of the Young British Artists, and a slice of London subculture. Muir - who now runs a major London gallery - describes himself accurately as YBA's "embedded journalist". He was the only writer who happened to be in Shoreditch and Hoxton at the time when the White Cube Gallery was founded, and at that unique moment of recent history when a remarkable array of young artists - Hirst, the Chapman brothers, Sarah Lucas, Rachel Whiteread, Sam Taylor-Wood - all came together to produce a fresh, irreverent, wacky and quickly enormously popular form of art. Often it was notorious - Hirst's shark, Whiteread's House, Lucas's two fried eggs and a kebab - and incredibly newsworthy. Their hedonistic riotous world grew up in a then forgotten, down-at-heel part of East London. Back then Shoreditch was full of squats and grotty pubs, not groovy nightclubs. Muir tells the history of YBA up to the seminal Sensation show at the Royal Academy - a picaresque, hilarious story never before told. An Ian Sinclair for the modern art world, this is a memorable and unique piece of modern history. Gregor Muir now runs a London art gallery.

Low-Hanging Fruit 77 Eye-Opening Ways to Improve Productivity and Profits
Free Download Terri Long, "Low-Hanging Fruit: 77 Eye-Opening Ways to Improve Productivity and Profits"
English | 2014 | ISBN: 1118857925 | EPUB | pages: 224 | 0.7 mb
Management guru, Peter Drucker once observed, "So much of what we call management consists in making it difficult for people to work." His observation rings true all across the corporate world: poor or non-existent decision-making processes, endless meetings, and layers of management between the worker bees and the power-elite. Meanwhile, executives, supervisors and those closest to the work and closest to the customer all struggle with broken processes, unnecessary complexity and the feeling that they are running as fast as they can.

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