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For the past two decades, many of the finest artists to enter the American art scene hail from China. The period of modernism held no influence over Chinese art schools, whose mentors were the Russian schools set up in the first half of the 20th Century. Ironically, the beauty and power of late 19th Century, western, realist art was saved by the Communist regime of the Soviet Union when it banned all modern art from its schools and Universities.

Despite great suppression of artistic expentation, Western representative art was sanctioned and encouraged, and used to spread communist propaganda through the images of happy, working class figurative art to a people who could understand the painted images these paintings represented.

While our Western art culture disintegrated into abstraction and paint thrown on canvases with no content, the Russians and Chinese continued the study and practice of classical painting. With the easing of tensions between China and the West, many of the Chinese, trained in the classical style practiced by the Russians, immigrated to the United States and brought their long-lost expertise to America.

Zhaoming Wu is one of those artists, whose knowledge and talents merge into a convoluted path from the Nineteenth Century Masters down to us, today. He is currently one of the most valued faculty members of the San Francisco Academy of Art, and he instructs and mentors artists in the graduate program in representative painting and drawing.

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