Artist: Ensemble Diderot, Johannes Pramsohler
Title: The London Album
Year Of Release: 2019
Label: Audax Records
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:08:08
Total Size: 417 mb / 1.5 gb

Tracklist
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01. Sonetta after the Italion way
02. Trio Sonata in G Minor: I. Adagio
03. Trio Sonata in G Minor: II. Canzone. Allegro - Adagio - Presto
04. Trio Sonata in G Minor: III. Adagio
05. Trio Sonata in G Minor: IV. [Allegro] - Vivace - Adagio
06. Trio Sonata No. 6 in C Major, Z.. 795: I. Sonnata (Sonnata's of III Parts)
07. Trio Sonata No. 6 in C Major, Z.. 795: II. Canzona (Sonnata's of III Parts)
08. Trio Sonata No. 6 in C Major, Z.. 795: III. Largo (Sonnata's of III Parts)
09. Trio Sonata No. 6 in C Major, Z.. 795: IV. Allegro (Sonnata's of III Parts)
10. Trio Sonata and Suite in G Minor: I. Sonata
11. Trio Sonata and Suite in G Minor: II. Allemand. Allegro
12. Trio Sonata and Suite in G Minor: III. Courante. Allegro
13. Trio Sonata and Suite in G Minor: IV. Sarabanda. Con affetto
14. Trio Sonata and Suite in G Minor: V. Gavot. Allegro - Adagio
15. Ciaccona in G Major
16. Trio Sonata No. 9 in C Minor, Z. 798: I. Sonnata (Sonnata's of III Parts)
17. Trio Sonata No. 9 in C Minor, Z. 798: II. Largo (Sonnata's of III Parts)
18. Trio Sonata No. 9 in C Minor, Z. 798: III. Canzona (Sonnata's of III Parts)
19. Trio Sonata No. 9 in C Minor, Z. 798: IV. Adagio (Sonnata's of III Parts)
20. Trio Sonata No. 9 in C Minor, Z. 798: V. Allegro (Sonnata's of III Parts)
21. Trio Sonata in A Major
22. Trio Sonata in G Minor
23. Trio Sonata No. 6 in G Minor, Z. 807 "The Great Chaconne"
Five years after their celebrated Dresden Album, Johannes Pramsohler and his colleagues of Ensemble Diderot continue their journey exploring the trio sonata in baroque Europe with a programme dedicated to works from Purcell's London. Through a combination of well-known works and world premieres they show how English composers used the new Italian form as a vehicle for their creative output and how easily foreign composers picked up the English idiom to create chamber music that could hardly be more profound and expressive.

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