To achieve this the limiting process is divided in two steps each with separate oversampling options: the first is a clipper that can work like a hard digital clipper or a soft analog one. This stage lets you cut away those small peaks that nobody is going to hear and that will make the limiter work too hard and sound less transparent.

The second stage is a brickwall limiter that will compress everything above 0dBFS. Simply use the two big knobs to increase the level until you are getting the right amount of gain reduction by any of the two stages. Do you have a very percussive track? Use more clipper to cut those sharp transient and let the limiter work less. A soft song? Abuse the limiter and don't use the clipper.